Performance Season
Fall 2010
JOHN GUARE'S THE HOUSE OF BLUE LEAVES

The House of Blue Leaves is a heartbreakingly human comedy that
explores the lengths people will go to in their quest for the American
Dream. Declared by the New York Times as "enchantingly zany and
original” The House of Blue Leaves fuses comedy, gritty drama and
cultural commentary into an explosion of absurdity that pits
disarmingly funny lines against the tragic circumstances of unfulfilled
lives. With his comic examination of the pursuit
of fame, John Guare depicts the destructive nature of the media on
people’s dreams and personal lives.
The fanciful, swirling,
eccentric world conjured by Guare garnered several prestigious awards,
including the Obie, the New York Drama Critics Circle Award for Best
American Play and in 1986 a Tony Award.
Direction by Glenn Gauer
Designs by Bruce Keller and Margaret Chapman
Performs Friday, Nov. 12 through Saturday Nov. 20, 2010 in Lincoln Performance Hall
at 7:30 p.m. on Wed. through Sat. performances
and 2:00 p.m. on Sunday, Nov. 14
Winter 2011
ZOO STORY and MOUNTAIN LANGUAGE by Edward Albee and Harold Pinter

These one-act plays bookend the careers of two of the 20th century's greatest English language playwrights, American Edward Albee and Briton Harold Pinter. Zoo Story was penned in 1958 at the beginning of Albee's career (1928- ) and Mountain Language in 1988 at the zenith of Pinter's career (1930-2008). Albee has won three Pulizer Prizes and three Tony Awards. Pinter is the recipient of the Cohen Prize, the Olivier Award, the Légion d'honneur and the 2005 Nobel Prize in Literature.
Performs: Thursday January 13 through Saturday, January 22 in Lincoln Studio Theatre
at 7:30 p.m. on Thursday through Saturday performances
and 2:00 p.m. on Sunday, January 16
Thursday January 13 Preview - FREE
FEFU AND HER FRIENDS by Maria Irene Fornes

Written by the pioneering avant-garde dramatist Maria Irene Fornes, this Obie award-winning play explores the lives of eight complicated, privileged women who gather together in Fefu's country New England home on a spring day in the 1930's. Hallucinogenic, mysterious, thought-provoking, and one of our most beloved off-Broadway plays, "Fefu and Her Friends" is a provocative, feminist exploration of the expectations, inconsistencies, and double standards that even the most aristocratic women endured - and continue to endure. This production will mark the West Coast premiere of Fornes' one-set version."
Direction by Devon Allen
Designs by Glenn Gauer and Margaret Chapman
Performs: February 24, Thursday at 7:30, Preview Performance
February 25 - 26, Friday - Saturday at 7:30
February 27, Sunday at 2:00
March 2 - 5, Wednesday - Saturday at 7:30
Spring 2011
OLEANNA by David Mamet
A seething investigation of "political correctness" in a time when
the nation's morality has been tested by increased incidents of sexual
harassment. "OLEANNA is likely to provoke more arguments than any play
this year." —NY Times. "One of the ten best plays of 1992…reason
enough to cheer for the future of the theatre." —Time Magazine.
Direction by Michael O'Connell
Performs: April 14 Thursday, Preview Performance
Friday through Saturday, April 16 at 7:30
Sunday April 17 at 2:00 p.m.
Thursday through Saturday, April 21 through 23 at 7:30
HAMLET The First Quarto by William Shakespeare

Hamlet, but not as we know it.
Since its rediscovery in 1823, the Q1 has proven puzzling to many. Half the length of the “canonical” versions of the Second Quarto (1604) and first Folio (1623) and significantly different in some of the most familiar speeches, the Q1 has often been labeled the “bad quarto” and therefore marginalized and too often ignored. However, recent scholarship has ‘rediscovered’ the Q1 yet again, and new thinking is reassessing not only the claims of it being a touring version and that it reflects Elizabethan performance practice, but also that its deeper language structures reveal a keen intelligence behind the edits and scene arrangements.
As the editors of the third edition of the Arden Hamlet assess the Q1, “[This] is not the canonical Hamlet: it is a refreshing experience for actors and audiences who have become jaded with the longer texts; everything is at once familiar and oddly alien … it is Hamlet, but not as we know it.”
Direction by Karin Magaldi
Designs by Bruce Keller and Margaret Chapman
Preview Thursday, May 19
Performs Friday, May 20 through Saturday, May 28, 2011 in Lincoln Performance Hall
at 7:30 p.m. on Wed. through Sat. performances
and 2:00 p.m. on Sunday, May 22
WHITE NIGHTS, Dostoevsky's Short Story, adapted by Carolyn Holzman
Direction and design by Carolyn Holzman
Performs Friday through Sunday, June 3 - 5, 2011 in Lincoln Studio Theatre at 7:30 on Friday and Saturday and 2:00 on Saturday and Sunday
SPRING CHOREOGRAPHY CLASS PERFORMANCE
Lincoln Performance Hall, June 7 and 8, 2011, 7:30 PM. Admission: Free.
